Wedding Video: How to Get the Best One

wedding videography MelbourneEverything about our wedding, we want only the best. While it can be hard to actually hire the best person in every aspect (due to price and budget), there’s always something you can do about it. This time, we’ll be telling you what you can do to help your videographer with your wedding videography Melbourne.

Do they need help? Why, there’s something you can do make sure that they can work at your wedding as smooth as possible. It’s not hard as long as you arrange your schedule accordingly.

Find a videographer you are comfortable with

The first thing to make sure that you can get the best wedding video is to know that you’re happy with the person you are working with. There are many people who subconsciously feel disappointed and cannot like the works of the people they hire because they didn’t like the person who did it. While we want to say that’s not true, psychology proves otherwise.

From the consultation part, make sure he’s someone you like talking to and listens to your concern. He has to be someone willing to discuss things, so the video can turn out well.

Get him to know your photographer

It’s also important that he can work with other vendors. Your videographer will be bringing a lot of equipment and will also require help from your DJ or the sound system staffs. This is because to make sure that your video will turn out well, he needs a high-quality recording of the day.

The case would be different if you booked wedding videography Melbourne from Black Avenue at www.blackavenueproductions.com.au. This is because they provide both photographer and videographer service, making it easier to work alongside each other.

If your photographer and videographer had everything discussed first, they won’t clash or interrupt each other in the middle of their job. It’ll be easier to things done neatly, too.

Discuss things with your videographer

You also need to have a good discussion with your videographer about the wedding. They will be filming and have to position themselves well before things start. This means you have to let them know beforehand if there are things that you specifically want to be shoot, like your own performance or someone important.

This also means that you need to inform your videographer if there are things you want to change about your wedding. Ask for their feedback and see if it’s okay with all your wedding vendors. This will help them anticipate and even tell you if it can be better.

Trust in your videographer

The last thing that you need to do is trust your videographer. Don’t let worry get you and distract you from enjoying the day. The job of your videographer is to take videos of your happiest day, but that would be hard if you have to be worried about the vendors and everything going on in the party.

Entrust the job to them and brief them if you have to before the party starts, but once it is, be the bride and groom you are for the day. These are the things you can do to make sure your wedding videography Melbourne won’t go to waste.

Low Light Photography Tips To Keep In Mind

Taking photographs in low light environments has always been a challenge for photographers. This is because photography is basically dependent on light for capturing good photos, and lesser light may adversely affect the overall quality.

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But that should not deter a photographer from taking good photos in such conditions. With proper knowledge and skills, some great photographs can still be shot in these conditions. Here are some tips to guide you.

1 – Avoid using flash as much as possible

A bright flash can be a nuisance and may even ruin not only your photos but also the way you do photography. While flash can freeze fast action, and it’s a good substitute for faster shutter speeds when capturing movement in low light, the bright light and the harsh shadows it creates tends to flatten the subject and background. Also, the flash just isn’t necessary at times. Little or no flash can capture better the contrast between the lighter and darker parts of the frame, adding depth and dimension to the photo in the process.

When you do need a flash in low light, diffuse the light for best results. This breaks up the hard edges and shadows for a more natural effect. There’s no need for a additional equipment to achieve this. For starters, when you’re indoors, you can point the flash upward where light can bounce off the ceiling rather than other objects in the room or you can double-fold a facial tissue to place over the flash, simulating a lamp shade for it.

2 – Increase the ISO settings

ISO is a measurement of how sensitive the image is to light. The higher the ISO, the more sensitive to light the image is, but your photos are also likely to have more noise which pertains to the image’s grainy output. You can try with pushing the ISO to its highest setting, taking a couple of shots, and seeing how it works. Then, you can lower the ISO gradually until you get the photo quality and lighting effects that you want.

3- Stabilize your camera

It’s important that you hold the camera steady when doing low light photography, as low light camera settings mean the shutter will open wider and stay open longer, making it prone to be negatively affected by unstable hands. And while many digital cameras today have a stabilization feature that corrects for small movements, this stabilization is limited though and less effective in dim conditions.

As an alternative, consider mounting your camera on a stable surface. It could be a desk, a chair, or better a tripod or monopod. The tripod lets you set up a shot in advance, and it offers a consistent position for the camera when taking multiple photos. The monopod gives you the stable base you need during each shot along with the freedom to move or rotate between shots.

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4 – Raise the aperture, lower the f-stop

Aperture refers to the size of the lens opening that allows the camera to take in more or less light to compose the photo measured in f-stops. For low-light conditions, you’ll want to aim for smaller f-stop numbers like f/4. If you plan to do a lot of low light photography, consider purchasing a lens known for having a wide maximum aperture like f/1.4 and f/2.0. The downside though is that the wider the lens opening, the smaller the portion of the image that’s in focus. It may be fine if you have a single subject, but when you have multiple objects in the shot at different distances from the camera, you’ll have to choose which objects you most want in focus for the shot and sacrifice the rest.

It is also important to constantly practice doing low light photography. Take as many low light photos as possible and check the quality. As time goes on, you will be able to master capturing images even in low light conditions.